Nora Thamthanakorn’s practice evolves from continuous contemplation of the relationship between attachment and the evanescence. Clay is explored as a material of lifelike properties, a record of the past, present and every movement of thoughts. Perceiving architectural and physical deterioration as metaphor for the ephemerality of all substances with us included, she brings capacities of temporariness into visibility, responding to transformations one experiences being both the tangibles and the invisibles. 

As connection to stability brings insecurity and unexpected changes create fragility, Nora counteracts this sense of vulnerability by capturing the tension between attachment, the impermanence and life.